Zentangle Tile #2: What To Do When The Power Goes Out

The power was out in my home yesterday for a few hours. I’m assuming there was some sort of issue at a nearby power station that knocked it out. Me being me, I didn’t notice that the power was out until I tried to go online to search for something. My laptop’s inability to connect to the interwebs led me to investigate my internet connection. All the lights on my router were off. I checked to see whether the power cord was still connected, it was, but the light on the power bar I plug it into was off. It took flipping the power bar switch on and off a few times before I realized there was no power at all.

No power meant I had to limit the use of my cell phone, so I sent a couple of text messages to let some family and friends know my situation, and then turned off my phone. It also meant I had to delay my plan to take a shower – my bathroom gets quite dark and I don’t need to increase my risk of falling in the shower again. Luckily, I had boiled the kettle a few minutes before the power went off. I made myself a large cup of tea and tried to figure out what I was going to do without power. I decided to work on some more Zentangle patterns and a new tile. I learned two new patterns – sea weed border and wire wrap, which are in the Zentangle 2, Expanded Workbook Edition from the series of books written by Suzanne McNeill. I’ve been working my way through this second book in the series at a snail’s pace. Nonetheless, I now have sixty-six patterns completed in my Zentangle sketchbook.

After practicing the two new tangle patterns, I went to work on my second tile. For this tile, I drew lines to guide my placement of patterns by tracing the lid of a small tea tin and drawing some random lines around it, and I used four tangle patterns. Three of the tangles I’ve learned from Suzanne McNeill’s books and the fourth one I taught myself from the Tangle Patterns site a while ago because I wanted to include it in one of my art/gratitude journal drawings. Here’s the second tile I’ve completed in two days.

Tile 2 Shaded

Tile #2 Shaded – String: Tea Tin Lid & Random Lines – Tangles: Hollibaugh, Huggins, Twilight Zone, Wiggle Waves

I guess power outages are good for something. In my case, I was able to use the lack of electronic distractions to focus on doing something meditative. I had a quiet, calm day. Concentrating on drawing lines on a white 3.5in x 3.5in card, helped put my initial concern about the food, especially the ice cream, in my refrigerator going bad to rest; and made what could have been a stressful day very enjoyable.

 

U2 – Electrical Storm

Zentangle Tile #1: My Body Has Limits

Some months ago, I discovered Zentangle. I started teaching myself individual tangles, which is the name of the patterns created when you draw various lines together. I’ve been adding tangles to the drawings I create in my art/gratitude journal, but for some reason, I kept holding back on actually making a Zentangle tile – that’s drawing tangles on a 3 1/2-inch x 3 1/2-inch square card of paper. I’m not sure why I’ve held back because I bought a few packages of tiles months ago before my surgery. My intention was to make a tile each day as part of my daily meditation or focused mindfulness time – I don’t even know if I should label the time I spend trying to have some quiet or not focus on my pain. The penny just dropped as I read back those last two lines. It seems that every time I try to make something a structured activity I block myself from doing it.

Nonetheless, last week when I went to the hospital for my cousin’s labour, I packed a few distractions in my bag – my art/gratitude journal, Zentangle notebook, pens, coloured markers, and tiles – just in case things took longer than expected. To my surprise, I started a tile – my very first tile. For the string – you’re supposed to draw random lines with a pencil within the border of the tile to make sections so you don’t have to think about where you’re going to add the tangles – I drew the letter B in honour of the baby that was on his way into the world. It took a bit of time for me to flip through my Zentangle notebook to decide which tangle pattern of the many I’ve learned so far to start with, but I settled on one that has become a favourite: flying geese. I had a few minutes to work on filling in the tile, but I had to put it aside when my cousin started having stronger contractions.

I finally got back to the tile today. I needed to focus on something calming because I’ve been having a tough time since I went to the hospital last week to support my cousin during her labour. My body is making it clear to me that I have limits. I knew I overdid it, when walking out of the hospital to find a taxi after the baby’s birth, the soles of my feet and my ankles were sore. Since last Wednesday, my pain has been more intense than my normal levels and my legs, ankles, and feet swelled. The swelling is now declining, but I’m still having some difficulty walking because of the pain.

Today, for about an hour as I finished the tile, my intention to make the lines of the tangles I chose for the tile smooth and filling in spaces with black ink distracted me from my pain. Then I chose which direction was the right side up and focused on adding some shading to each tangle with a pencil. I’m pleased with what I created. I’m also pleased that I found another way to cope with my pain that relies solely on what I can create, even at times when my pain levels are so high.

 

Eagles – Take It To The Limit

Zentangle: My Way

I’ve been tangling. I like saying that. Although, it sounds a bit grandiose because I’ve only learned about two dozen official tangle patterns, and completed six regular-sized tiles and one 5”x7” page filled with the two dozen patterns I’ve learned.

I worked my way through the ‘Zentangle Basics 1’ instruction book over the past few weeks. I did it with a few small hacks. First, I didn’t buy the official square white Zentangle tiles because I was uncertain about committing to Zentangle by buying the official kit. I decided instead to use a 5”x7” art sketchbook – the same as my art/gratitude journal – mainly so I can draw the individual steps as I learn each tangle pattern, which I do by tracing the lid of a small loose-leaf tea tin as a frame for drawing each of the steps in a tangle. It has been a good exercise for me to learn the tangle patterns using this method of repetition: not simply because I’m learning to draw them but also because it increases my patience and helps me to focus my attention.

After learning four patterns, I was then going to mark off a 3.5”x3.5” square on a page of the sketchbook with a ruler to use as a Zentangle tile, but I found I didn’t have to measure anything because as I looked around my small space I noticed that my drink coasters measure exactly 3.5”x3.5”. I traced the decorated piece of square glass then I followed the steps outlined in the Zentangle instruction book and I drew a string to form sections within the 3.5”x3.5” space to fill with the tangle patterns. I repeated these steps with new tangle patterns six times and I now have six completed ‘tiles’, and one large 5”x7” mess of 25 tangle patterns. I call it a mess in jest because I’m proud of what I’ve learned, but my eye for perfection can see the few tangle patterns with which I’ve struggled peeking out at me and I have the urge to try to fix them, which goes against the Zentangle method.

This slideshow requires JavaScript.

I should add that until about a week ago I didn’t have the recommended Sakura Pigma Micron pens. I started out with an ultra-fine black Sharpie pen. This was partly because it seemed impossible to get a hold of the Micron pens anywhere, and I’m limited in my ability to venture out to do things, so I ordered the Sharpies online. I finally located Sakura Microns online, in abundance, at Cult Pens – Pinterest is a great resource when you’re trying to find something you really want. I have to admit that I find tangling patterns with the Micron pens a lot easier. The ink flows more smoothly, the different nib sizes make it easier to fill in the larger areas in some tangles, and the black ink is richer.

The last hack is one I read about on a blog somewhere – I wish I could remember which one so I could give it credit. Shading is used in Zentangle to add dimension to tangles. You can add shading to the tangle patterns in your tile with a pencil then using a blending stump or Tortillion blend and create a softer effect. The hack I learned is to use a cotton swab/Q-tip instead of a blending stump to smudge and blend the pencil to add dimension to the tangle patterns. This is working really well to add shading to the tiles I’m creating in my sketchbook. It’s interesting to see how I can transform the lines from flat marks on a page to images with depth.

I think I’ll continue to use my hacks for a while longer until I feel more confident, especially because my medications sometimes make my hands unsteady and I fear ruining many real Zentangle squares. However, I will definitely continue to use the method I’ve developed with the lid of my loose-leaf tea tin to learn new tangle patterns when I graduate to using official Zentangle squares. It’s nice to flip through the pages of my sketchbook as a reference for what tangle patterns I can use and to see what I’ve learned.

I had difficulty finding a song to add to this post to reflect the sentiment I had about choosing not to adhere to the precision of the Zentangle method (i.e. improvising with materials), but as I searched for a song about options/choice I came across this song by Yusuf Islam (formerly Cat Stevens) that felt right: In the End. The blurb on the page where I found the song says, “According to Yusuf Islam, in the song he is asking people to look at themselves and check that they’re making the right choices because they’ll be judged – in the end.”

 

Yusuf Islam – In The End