Zentangle: Tangle Patterns, Inspiration, and Deconstruction

This is not the original content I wrote to go with this post’s title. The first draft I wrote was a long rant in response to some very tense, unfriendly, and angry exchanges I keep encountering on some Zentangle-related websites and groups since I started using the meditative pattern drawing method. I decided not to post what I wrote because it doesn’t help anyone, least of all the people I see being dumped on, to write another angry post.

I started learning the Zentangle method because of the inherent meditative and mindful aspects of the process of drawing the various patterns. I’ve grown to enjoy getting lost in drawing lines and shapes. I spend a lot of time searching out more patterns online to expand my drawing skills and make the artwork I create in my art/gratitude journal more interesting. However, at times when I’m about to teach myself a new pattern I’ve found online, I notice negative exchanges written in some of the comments sections. It annoys me – actually, I get somewhat angry – because this thing, that is supposed to be enjoyable and relaxing, seems to be more about ownership and monetization than mindfulness.

I think some people forget that doodling has been around for a long time. Everyone does it. Although not everyone that doodles might take the time to name the patterns they draw. I know highlighting these points is going to make me unpopular to anyone who is devoted to the Zentangle method, but here’s the thing, slightly modifying something that already exists and giving it a new name doesn’t make it original or new. If that were the case, we would all be creative geniuses.

The Juggler - University of Notre Dame - May 1929

Cartoon from the commencement issue of The Juggler magazine of University of Notre Dame from May 1929

 

Furthermore, just because you’re inspired to deconstruct a complex pattern or image that was painstakingly created by an uncredited artisan in a woodwork carving, chiseled into a marble archway, painted on ceramic tiles, or stitched in fabric, that doesn’t make what you draw an original pattern. If you look around long enough you can usually find a pattern that existed for years, if not decades or centuries (in the case of ancient tribal and religious symbols) that looks like so-called “original” tangle patterns. At the end of the day, all art is derivative. Artists learn from imitating work produced by other artists, or trying to recreate things they see in the world around them, and they use it as a jumping off point to develop their personal style.

 

That being said, I have to stop letting myself get so bothered when I see some of the terrible things people write to each other in these spaces. As one Certified Zentangle Teacher (CZT) disappointingly stated in a comment I recently read online, for so many people Zentangle is “sadly just about making money”, which is bound to make some of those people more territorial and severe. For now, I will continue to use this drawing method as a creative meditative practice to divert focus away from my pain, but I think it wouldn’t hurt for some of the people getting bent out of shape about the use of patterns they “create” to remember that imitation is the purest form of flattery.

 

Arctic Monkeys – Brick By Brick

Gratitude and Creativity: Low Emotional Valley

I’m just realizing that I spent the better part of the past month in a low emotional valley. The failure of my acupuncture treatment hit me hard. I know this because of the smatterings of energy I managed to invest in anything that resembled something creative, including how little I wrote. The recovery from the pain flare up caused by the acupuncture has been slow – I haven’t been able to reduce the doses of my pain medications. The frustration and disappointment of another treatment that doesn’t work for me is becoming hard to bear. As much as I try being positive, the melancholy found its way in and decided to hang around as I drank copious amounts of tea and binge watched TV while sleep eluded me most nights.

My uninvited guest sapped me of so much energy that I became too tired to sleep. Too tired to feed myself properly, and barely able to meet the few commitments I made to family and friends. The strange thing is while this was happening I didn’t recognize it because I was still moving, still breathing, and still feeling pain. I’m not numb, but I was enveloped by whatever the opposite of being mindful and aware of oneself might be. Then, this morning, as I turned the corner on another sleep-deprived night I flipped through a few pages of my art/gratitude journal and saw how little my brain and hands have produced because of my low energy and sinking emotions.

What was I trying to find in the pages of a sketchbook at 6:45 on a Saturday morning? I was looking for a blank space to teach myself how to draw a new, to me, Zentangle pattern. The space was easy to find because, as I said, I haven’t done a lot of creating lately. I keep saying that I’m teaching myself how to draw. However, at the rate I’m going I may not reach that goal. I have the books and the art supplies I need, but without motivation and a positive mood, that amounts to a lot of blank paper and unused pens, pencils and paint.

I noticed that the time I spend in these emotional valleys seems to be getting longer each time and my awareness of that space is losing its sharpness. This morning, wanting to draw a new combination of lines alerted me to the presence of the current valley. I wanted to connect with one of the things that help to stop me from falling down the steep slopes and that desire, that smallest of desires, pulled me upward.

Last night, while sleep stayed far away from me, I spent time on Adele Bruno’s website Tickled to Tangle. She’s a Certified Zentangle Teacher (CZT) from whose posts I’m learning a lot. She writes a series called “Tips for Tangling” where she shares great step-by-step information about how to draw Zentangle patterns that makes drawing them a lot easier. Because of her posts, I’m becoming more comfortable and confident about drawing in ink and not worrying about making mistakes. After all, in Zentangle there are no mistakes. It was one of her posts that made me reach for my sketchbook: Tangling Radiant Sooflowers. I wanted to try creating my own radiant drawing but I first needed to learn the tangle pattern, Sooflowers created by Livia Chua, which luckily wasn’t at all difficult. After a quick practice, I worked on my tile and made one change to customize it. Instead of stippling the white spaces with dots, I filled them with small Tipple circles.

My tired eyes and shaky hands aside, I’m happy with the result. I’m also happy that although I didn’t sleep at all last night, Adele Bruno’s creativity alerted my awareness to my low emotional valley and inspired me to start climbing out.

 

Ed Sheeran – I See Fire

Gratitude and Creativity: Does Silence Celebrate

My muse keeps inspiring me. who is bert in his 100th silent share asked the question: does silence celebrate at all? That question woke me up yesterday morning and took me on a poetic walk. Thanks again Bert.

Does Silence Celebrate

 

 

Simon and Garfunkel – The Sound of Silence