InkTober 2017: Day 15 – Mysterious

One of my favourite things to do when I was a teenager was ride the subway in my city from one end to the next, for hours, while writing. I would sit on a seat that gave me a wide vantage point to watch people as they entered and exited the subway car in which I rode. Watching people’s movements inspired my poetry and prose writing. Trying to see beyond the clothes and blank expressions, they wore, made my mind work to create personas or circumstances I felt suited each man, woman, or child as they moved briefly toward me then permanently away from me out the train’s sliding doors.

On one occasion, I wrote a short poem about a man whose presence caught my attention. He was tall and he stood in the doorway of the train’s car with one shoulder leaning against the Plexiglas-enclosed entryway. However, I couldn’t read too deeply into him because he wore sunglasses, which prevented me from seeing his eyes and made him more mysterious than he probably was. Not being able to see a person’s eyes always makes it difficult for me to read them and in this case, his sunglasses made it impossible.

As the man continued standing in the doorway, I was unable to hide my interest in him. Although I couldn’t see his eyes I knew he was looking at me. As he stood there, I wrote about him and I wondered if he knew he was my subject. I got my answer when the train arrived at his stop. Before he left the train, he looked directly at me and smiled. I was so taken aback by that sudden unexpected connection that I smiled back. I smiled back not knowing for certain why he smiled at me.

As silly as it may sound: to this day, thinking about that experience unnerves me. Why did that man, whose eyes couldn’t be seen, smile at a teen-aged girl while they rode on the same train?

 

InkTober 2017: Day 14 – Fierce

I had trouble drawing my sketch and writing my thoughts coherently, for this prompt since I read it a couple of days ago. I knew what I wanted to draw to represent the word ‘fierce’ and I knew exactly what I wanted to say. However, I’d never drawn a lion before and, on top of that, I had some writer’s block too. I tried a few times to start the sketch but it wouldn’t take shape the way I wanted it to. I did a lot of erasing and had to sharpen my pencil many times. I wanted to draw a lion that looked like a creature to be feared, instead of a stuffed animal but that’s not an easy thing to do when you’re not an accomplished artist.

Why the words wouldn’t come is a different and very personal matter. What I was trying to truthfully articulate is something I’ve struggled with in my life: putting on a façade to appear tougher than how I feel because I don’t want others to know that their attempts to wound me have landed with painful accuracy. As a woman, I’ve done that repeatedly to push through and past situations, while pushing away the someone(s) who felt they had the right to betray my trust or recklessly harm me. I did it so many times that it became second nature, while showing what I truly feel and how deeply I feel it became gruelling work.

I assume we all like to believe that we are or can be fierce when a situation makes it necessary. I say “necessary” because the human body’s nervous system is not designed to be on constant alert. Being fierce at all times requires a hyper-vigilance that takes a toll on one’s body and mind. We are designed to sense danger, get ourselves to safety, then shut down that alert system so our bodies return to a (relative) state of calm. Moreover, the measures needed for keeping out the bad, mean not allowing enough of the good to find its way through; and it can be exhausting to keep this cycle going.

My fierce demeanor was so well-practiced I could probably teach how-to classes and make a fortune. First, there’s the posture one must take where your back and shoulders are held with such stiffness your body oozes aloofness and an air of I don’t give a f…, which may send a message that feelings – if it’s believed one has any – can’t be accessed or hurt. Then there’s the sharp cutting glance that takes years to master and to an untrained eye may resemble the batting of an eyelash. The sender must make sure the receiver feels the whittling sharpness of the look to their core in an instant. While the accompanying words – their calculated pitch and timing between them – further build the effect of an impenetrable stone structure that towers protectively above one’s physical frame.

Many years ago, I had to look at my life and figure out how well this strategy was working for me. The primary question being: Was my fierce demeanor attracting the people and the experiences I wanted in my life? If it wasn’t, what did I have to change? Although, I didn’t have to overwrite who I was completely, it took years for me to unlearn and untangle myself from these exhausting self-protective practices. Furthermore, the work is ongoing because there is no single action or magic pill that can give you everything you want overnight.

 

InkTober 2017: Day 8 – Crooked

My life has not moved along a straight linear path in recent years – it probably never did. Because of my health, it has swung from one extreme to the next – from quiet calm to frenzied panic – without much warning. If I had to draw a graph to represent that activity, the line would have few crooked curves; it would be a line with jagged high peaks and deep valleys illustrating the sharp turns I’ve experienced while living with this yet to be fully diagnosed illness. However, as sharp as the turns have been, they haven’t all been bad. At the top of some of the high peaks, I’ve had some unexpectedly joyous moments and it’s been those moments that have kept me grounded and moving forward with some hope of a full recovery.

Interestingly, the difficulties of my health were not the first things I thought of when I read the word ‘crooked’ from the list of InkTober prompts. Although I’ve traveled to California before, I’ve never been to San Francisco. So why Lombard Street in San Francisco was my first thought I don’t know.

Somewhere in the recesses of my mind, I must have locked away the piece of trivia about Lombard Street being named “the crookedest street in the world” because of the eight hairpin turns in its design resembling zigzags that carry it down what was once a steep slope (27% grade). All the photos of Lombard Street I’ve ever seen, show a beautiful hillside lined with planted bushes of bright flowers and homes built on either side of a winding street paved with red bricks; and because of these features this street is a huge tourist attraction in San Francisco. Maybe one day in the not-to-distant future, when I get back to traveling on a regular basis, I’ll take a trip to see it.